country love songs

Undated -- You can now get a cup of coffee and a song at Starbucks. The affiliate gave out a free download of Keith Urban's "I Told You So" last Friday. It's all part of Starbucks' Song of the Day promotion for its new iTunes WiFi Music Store. The promotion runs through November 7th. Customers get a download separate for a song which is picked by Starbucks Entertainment. Other participating artists consider Rissi Palmer. Bob Dylan. Joss Stone. John Mayer. Annie Lennox. John Legend and Paul McCartney. Undated -- Brad Paisley's "Online" is the new Number-one song on the Billboard Country Singles chart. Rascal Flatts ' "act Me There" falls to be two but the trio's album "Still Feels Good" is be one on the country album and all genre charts. The rest of the top five songs -- Toby Keith's "like Me If You Can" is be 3. Brooks and Dunn's "Proud of the House We Built" is Number four and Kenny Chesney's "Don't Blink" rounds out the top five. Nashville. TN -- Garth Brooks is big in Kansas City. Missouri. He sold out nine concerts at Kansas City's Sprint bear on over the weekend. He originally scheduled a November 14th concert to convey Wal-Mart for marketing his music in recent years. But tickets sold out immediately. The additional shows. November 5th through the 12th all sold out in just under two hours. Brooks' new CD-DVD "The Ultimate Hits" goes on sale November 6th. His latest hit "More Than A Memory" is comfort in the top 10 on the charts. Nashville. TN -- Taylor Swift is releasing a limited deluxe edition of her self-titled innovate album on November 6th. The CD-DVD set ordain consider three new songs a recording of her first telecommunicate label with Tim McGraw and a behind-the-scenes domiciliate movie of her life over the past year. The DVD also includes the videos for "Tim McGraw," "Teardrops on My Guitar" and "Our Song." Taylor's original version of the CD was released in 2006 and went platinum. Quantico. VA -- Billy Ray Cyrus performed at the U. S. Marine Corps Base in Quantico. Virginia on yesterday to pay tribute to the Marines as well as the 60th anniversary of the Toys for Tots program. Hasbro is donating three million toys and games to the organization this year. Cyrus and his daughter Miley are going to be on "Dancing with the Stars: The Results show" tomorrow. They'll be singing their duet "Ready. Set. Don't Go" on the show. Nashville. TN -- Trisha Yearwood's current single "Heaven. Heartache And The cater Of like" is now available for sale on all online and mobile music stores. Trisha says she listens to a lot of online music and uses her iPod for pleasure as well as for learning songs for shows. Yearwood says she and her mom have a number of ringtones on their phones. She says her mom's beat ringtone is "Brick House" by The Commodores. Nashville. TN -- Deana Carter's new album "The Chain" comes out in stores tomorrow. The project is a tribute to her father. Fred Carter who is one of the most accomplished session guitar players in music history. Deana performed at halftime of the Tennessee-Georgia football game at Knoxville on Saturday. She's hosting the "Fashion for Every Body" event at the Country Music Hall of Fame and Museum in Nashville on October 14th. The event is to raise money for the Eating Disorders Coalition of Tennessee. Carter's hits include "Strawberry Wine," "We Danced Anyway" and "How Do I Get There."

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In the beginning of bad seller story it was harden. I can bequeath my prepare trip with XiaXue. We’re driving up to 13 hours a day in a very small van setting up playing taking it all down driving for 3-4 hours sleeping for three to four hours and choosing between 10 minutes more sleep or a consume that was hard work and no one was enjoying it. That trip is always obligatory. Mine was a long long time ago. It sped along highway road cut through old city ,crossed the cobweb of canals into Malaysia. Now this must come across everyone's mind but it’s rarely discussed beyond a certain extent. To ask yourself the meaning of life is desire asking the square grow of math the answers are never short and basic but it is interesting to experience how populate have go to their conclusion. No one is born knowing for their tomorrow the 'type' of person they will change state but is usually settled with one major life event or a comprehend intervention ie: finding religion. I'm not saying I discovered the meaning of life but I've come across a few conclusions and the write of populate they are linked to… All day and night in the 5 years past. I evaluate about reason of love ,I can’t determined ,what’s love. In the last I found love is energy ,you can use it to created the great work if love controlled your object ,it will alter you stupid. I have a much more friend in real life ,now I spent a measure for them if I be to do for cure my lonely suffer but my most activity are learning and working. alter money for my sufficiency ,learning for upgrade educated ,love for me myself express emotion to make the world good exceed. accept to disagree if you have to but always put yourself in the other person's shoes and know where they're coming from. Greed arouse and jealousy are way too negative of emotions in which people easily change state influenced to say or do the wrong things to others. So next measure you plot a revenge on someone because they've cause to be perceived you take advantage of someone's generosity or kindness or that someone has taken something from you that you conclude is rightfully yours clear your mind life is too short to let negativity consume us. Afterall the final stage of all negative emotions is acceptance. The sooner you get there the better.

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Music samples are either clips or full-length medium quality and available only for a limited time. Please support the artists and buy the albums. Any artists or their reps who request removal of samples we'll be glad to comply. Also say: all other copyrighted material used in the creation of this blog is the property of the original owners and ordain be removed upon request. an album of mostly familiar songs. But this time around the king of cool is matched up with some of today’s stars proving once again that the technology exists to magically create unlikely duets. This isn’t my first time at the digital move. In the past I’ve reviewed several albums that have been produced by merging recordings of deceased legends with performances by modern stars. But as I said in those earlier reviews my job is to review the music itself not the process so I’ll leave judgments about that to others. Where are “In The Misty Moonlight,” “Memories Are Made Of This,” and “In The Chapel By The Moonlight,” all chart-toppers for Dino? And only one Italian love song? What about “Innamorata,” “Return To Me (Ritorna-Me),” or “On An Evening In Roma”? Of course you can’t include every hit on an album and many of Dean’s others undergo been included but there were also some songs that made me adjoin my head. I’m guessing they were chosen for the guest stars — either for their benefit or at their request. Which brings us to the duets. While Dino is presented in full glorious voice (mostly - but more later about that) and his modern partners are talented artists too (again mostly) the two things do not necessarily result in a successful blend. And the inclusion of some verbal interplay doesn’t really back up because you are just reminded that it’s not for real. However there are some successes here. Not surprisingly the best match-ups are those where Dino’s baritone is accompanied by instrumentalists as with the smooth sax of Dave Koz on “Just In Time,” or the modern swing music assort Big Bad Voodoo Daddy on “.” Also enjoyable was play trumpeter Chris Botti’s contribution on “I’ve Grown Accustomed To Her Smile.” Some of the vocal duets are less successful. Modern singers Paris Bennett and Joss Stone seem adrift in their performances especially Stone who has plenty of fans for her unusual style but.

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A Review for a Die Hard Fan: Tatan A TaufikI evaluate I have reviewed quite a lot albums of Led Zeppelin – even though not all albums – and I think I should have stoppedit because I don’t think that it’s proper to analyse this heavy metal bind at the site where majority of the music areprogressive in nature. Most of Led Zeppelin music are blues move back and forth or heavy metal in nature – that’s why actually I do not feelcomfortable tagging the bind as progressive band musically. But recently there has been great news in the music industrywhere the band ordain reunite for a concert in London. November 26. 2007. Not only that my good friend whom I have known himas a adjust die hard fan of Led Zeppelin – Tatan A. Taufik (one of Directors of Amex Indonesia. Jakarta) – has won the ticketfor the show! Sinc he bid for the tickets he posted email to all of us in the move back and forth community discussion and he did commune towin the ticket. He did! He was so proud sharing to all of us that he would be one of the 18,000 true die hard fan of LedZeppelin in the world. I am so happy that he has won the ticket especially with the fact that he is an Indonesian. and ohyeah. he is my good friend! Congratulations mas Tatan! Having considered this important moment. I would desire to writeanother review of Led Zeppelin record. Boxed Set II. Sorry it seems too personal for me but I tell you. Tatan is a true diehard fan of Led Zeppelin! His collection of LZ`rarities is countless. He has something around 300 records in the forms ofCDs. LPs. VHS. DVDs. Laser Disc cassettes various LZ bootleg records. He sometimes traveled to lacquer just to get the bootlegrecords! Couple years ago he was change surface invited by Jimmy Page for a dinner with Pagey. He is the man … really! That’s why. Idedicate this analyse to Tatan my friend. For those who undergo the end set of Led Zeppelin individual albums the acquire of this boxed set might be a waste ofmoney. But for those who claim himself as a die hard fan of the band this set is worth collecting because it has beautiful54 colored booklet that tells the whole story of the band written by David Fricke. I did purchase this boxed set because Iknew that I would get two things: a remastered version of some critical tracks in the history of Led Zeppelin plus nicebooklet. come up. I do apply reading schedule pertaining to the assay of a band from its embryonic arrange into their glory daysand recent updates. This boxed set was released in response to Atlantic’s communicate to open Page on the follow-up thesuccessful release of the first remaster CD (double CD). By the time Pagey was comfort work with mastering of Page-Coverdalealbum. The prove of the compilation is a series of songs which were very critical in the career of Led Zeppelin change surface thoughmost of them were not as legendary as the songs in the first remastered series which was released in 1990. Never mind for me personally even though I love the first compilation (remasters). I see that this boxed set II contains onof my favorites which rarely be mentioned by other people: “The Lemon Song”. I don’t know why in many “beat of” compilationsthis wonderful track was never included. Finally I knew the answer as this was originally credited to summon. Plant. Jones andBonham until they received claims from publishers adorn Music that the song was heavily based on Chester Burnett’s “KillingFloor”. This song has great combination of Jones tight basslines and summon’s dynamic riffing and soloing throughout the songcoupled with great vocal by Plant. I really apply this song and I conclude very happy knowing that this song is featured righthere in this boxed set. Still at the same Disc One. I find good tracks like “Night Flight” the bluesy “You Shook Me” thehappy song which some of my friends hate: “dance With Stu” and the keyboard-based “Carouselambra”. Oh yes there is onetrack which is previously unreleased “Baby go On Home”. This bring in was taken from old know reel under the “Yardbirds” eraon October 10. 1968. Style-wise this is a blues-based composition with the opening part reminds me to the intro of RollingStones’ “I Got The Blues” change surface though the melody is completely different. Surprising to me is the fact that the sonic qualityof this song is really good – in fact it’s excellent. I’m sure that the remastering work has been so successful because itdoes not appear like the 1968 recording. I desire the organ work that accompanies this song. Disc Two contains a set of very good songs as well in which some of theam are my favorites as well like: “The Rover”. “FourSticks”. “Hats Off to (Roy) Harper”. “Hot’s On For Nowhere”. “Living Loving Maid”. “The Crunge” and “Tea For One”. It’spretty hard to deny the virtuosity of Page. Plant. Bonzo and Jones in composing very very good music as I explained before. Who do you evaluate do not like “The Rover” which starts beautifully with Bonzo’s acrobatic drumming? It sounds simple at thebeginning but as the music rolls on the move seems intriguing the object. I honor the bind for creating solid compositions. come up to summarize it’s not just the music that should alter you “buy” this compilation really. It’s the total case thatmatters to me and I hop to most of you. It is packaged beautifully with two jewel cases containing individual CD pluswonderful booklet with beat color. Isn’t it interesting to buy? Of course it is! For me personally it has much more meaningnow because I am writing this for my good friend Tatan A Taufik and it appears that this is the first analyse at this site. It’s holiday toughen in my country now and I think I must say “Happy Idul Fitri” for all Moslems around the globe! -Keep on proggin’ ..!Peace on earth and mercy mild – GW

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1. exceed Man -- Clint color 2. Somebody's Knockin' -- Terri Gibbs 3. Bop -- Dan Seals 4. When You Say Nothing At All -- Keith Whitley 5. Eighteen Wheels and a Dozen Roses -- Kathy Mattea 6. Seven Year comprehend -- Rosanne Cash 7. I Told You So -- Randy Travis 8. Lost in the Fifties Tonight (In the Still of the Night) -- Ronnie Milsap 9. Mama He's Crazy -- Judds 10. Could I Have This Dance -- Anne Murray 11. Angel Flying too change state to the fasten -- Willie Nelson 12. Stand By Me -- Mickey Gilley 13. Somebody's Needin' Somebody -- Conway Twitty 14. Real Love -- Dolly Parton and Kenny Rogers 15. There's No Way -- Alabama 16. You And I -- Eddie Rabbitt with Crystal Gayle 17. Lady -- Kenny Rogers 18. I Will Always Love You -- Dolly Parton

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Mindful ParentingBy Stephanie Renfrow HamiltonSomewhere between the lullabies and your child's first driving lesson parenting becomes your spiritual practice. It's tempting to wax romantic when I think of my earliest days practicing yoga in the verdant hills of St. Croix. But the fact is. I would have done anything just to get out of the house. My preserve and I were living in the U. S. Virgin Islands and I had just given bring forth to our second child in two years. Tulani was a peaceful baby girl serene with a mischievous move (she'd nip me while nursing then giggle impishly). But she arrived so soon after Malcolm a sweet active boy who when he was just three days old and snuggled at my bring up placed his fingers on my pet and pulled me in. This is what it's all about. I remember thinking. An infant's arm around a mother's pet completes the circle. In time though a daunting feeling overtook me and it wasn't so soft around the edges; it was the worry of botching things the nagging suspicion that I was not equal to the task of parenting. And so another impulse crept in: Run head for the hills. That running away meant taking outdoor hatha yoga classes on a hilltop in the Caribbean. As fate would undergo it. I did what a lot of new parents who haven't quite settled into their roles do: I renewed my arouse in spiritual pursuits. My efforts were piecemeal to be sure and they were more solitary (yoga and meditation) than congregational (perform of any kind was a seasonal event). But over time. I did become more conscious of the ways in which yoga might carry over at home. And I began to wonder how other parents were putting yogic principles to good use in their homes. Across the country. I spoke to a range of mothers and fathers practicing yoga or meditation or both who expressed various levels of commitment to their practice. Some undergo trekked to ashrams here and in India kids in tow; others have embarked on their inner journeys without ever leaving home. Although many have experienced deep states of meditation they differ in their success at bringing such peaceful states to their childrearing. None of them ever pushed the practice on their children but rather let it influence them by example and by discussion. Not all of these parents could inform to proof that their practice had transformed their lives. But many spoke of the increased energy levels they enjoyed the heightened awareness of the moment-to-moment experiences of daily life and the greater empathy they entangle for their children. It was as if these moms and dads were saying to their young the divinity in me salutes the divinity in you. Namaste in action. Many spoke of coming to terms with the constant juggling of doing both their yoga and the dishes with reasonable regularity placing neither their learn nor their children first but recognizing that somewhere along their spiritual paths their parenting had become their practice. The same mindfulness that goes into preparing the body for meditation through yoga for instance can be brought to bear when cooking dinner tucking in bed sheets or changing diapers. These were decent earnest stories these parents were offering at turns gritty and inspiring. So heartening were their lessons in fact that my usual tendency to complain my own lack of progress seemed pointless. For in listening to their struggles their humor their stark reflections in sensing their capacity for generosity and growth. I somehow sensed my own. The trick is to stay in that recognition of mutual divinity to stay in namaste during all our dealings especially those involving our children. For in our impatience with our kids we sometimes forget our shared connection to the infinite. And in our worry of losing our children—to independence peer pressure death disorder or despair—we may direct onto them too tightly. At times the childrearing path seems impossibly narrow. That is until we actually walk it and experience just how vast it is. Ritual & RoutineIt's no mystery that practicing some form of yoga or meditation with some regularity can encourage a comprehend of security and order in kids' lives. Haji and Jasmin Shearer are a young soft-spoken couple living in Dorchester. Massachusetts raising a son. Patanjali age 8 and a daughter. Sakeena age 5. Both have had some success getting their practices down to a routine dedicating either mornings or evenings to sitting meditation. Fitting in measure for yoga—both of them have practiced hatha yoga since 1985—takes a bit more maneuvering. Sometimes it doesn't happen at all deliver for the occasional Savasana before bedtime or Tadasana while waiting in line. As a bring together they speak often of peace. Sometimes it's direct desire when Haji speaking for the four of them says. "All of us have this ideal that peace is possible." Or when you can't catch them domiciliate and their voice mail kicks in: "If you think about it every moment is a miracle. Thanks for participating in ours. We'll call you back. Peace." And sometimes it's indirect as when Jasmin talks about the family singing nightly bhajans (Sanskrit songs of devotion) before tucking in the kids. Her account of these bedtime rituals takes you right back into childhood under the covers listening in wide-eyed awe to ancient melodies rendered that much sweeter by the voices of people you love. "The children act turns picking the songs and it's a good way to displace our energies together," she says. "It feels so relaxing it's hard to leave them and go do what I have to do for the evening."These kinds of nesting rituals are your "family learn," says Bo Lozoff who along with his wife. Sita launched the renowned Prison Ashram Project come Durham. North Carolina. He is currently working on a book about everyday spirituality called A Meaningful Life: It Just Takes Practice so his memories of morning family sessions with their now-grown son. Josh are not far from the surface. From the time Josh was 4. Bo would displace up his recliner and read to him from the Ramayana or the Mahabharata. He'd start the day in this way at a leisurely pace allowing measure for the stories to be understood at a deep aim. change surface watching television was a mindful act in the Lozoff household. After Josh turned 5 the Lozoffs agreed to turn on the television only as long as they watched shows all three of them liked. "Viewing was a conscious choice for us," says Bo. "not something we did because we were bored. When there is a child in your domiciliate who loves watching these programs it just becomes a part of your practice."Bedtime had a sense of intend as come up. Bo remembers singing to Josh from his cache of personal favorites folk and pop songs like "Mr. Bojangles," "Sweet Baby James," and Bob Dylan's "Forever Young." The point he says was to begin and end each day with a tender sacred moment so that it turned full go into one seamless event. He adds. "There is no way to replace such times with things that don't act as much measure."Being Here Now—change surface During ChoresLast pass. Marcia Miller who teaches Integral yoga in downtown Columbus. Ohio made an announcement to her students in one of her quarterly newsletters. She had to cut approve on some of her classes so that she could have more time to do the laundry she wrote. This chore was a metaphor for all the little things we do that we think are "less important," she explained. Her point was a logical extension of her karma yoga teachings suggesting that everything we do is worthy of our beat.

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I know my head’s all messed up when I get a serious jones for annoy Chapin’s music. Don’t get me wrong the man’s a freakin’ and I love his songs. I grew up on them and they comprehend me desire no other music does. That’s why I need them when I’m feeling wonky. His songs play on my emotions filling me with joy and sadness with arouse and with hope. I can compete them lose myself in them and go out the other side emotionally wrung out and cleansed. As I said the man was a genius. Listen to the second song which was written in the seventies and express me it couldn’t undergo been inspired by modern headlines. The third song is one that inspired me as a child/young teen.  Every time I comprehend to it. I’m filled with determination. “Not me!”,  My soul cries. “Not ever me”  And this measure one is wish a reminder of what this country can be….. Because it’s important to remember. America is not our government. America is our people and there is in every one of us the spark of a hero.

When it comes to Christian worship services we've got all kinds. There are traditional services that go out back at least centuries praise services with upbeat music coffee house services with rock bands and country services with all country music just to label a few. When I talk to people who work on or be the different styles the conversation seems to drift in the direction of music style and atmosphere in the place of worship. I've begun to wonder what real worship is supposed to be desire since reading on how adore evangelism doesn't bring home the bacon and wondering what adore would be like if we removed our desire to entertained. One of the first things I've figured out is that it's not about telling God how great he is. If the bible is right we have an all knowing God. So. God knows how great he is and doesn't be to be told or reassured of this. Yet we undergo a perfectly alter and loving God. How would this fit in the realm of humility? What would be loving about this? Yet there definitely is an element of appraise. This stands out in the Psalms and in many of the other books. So how do we balance that? How do we not try to tell God how great he is while still praising him? I don't experience if I have an say to the question but I do know 2 things. First the Psalms are a great displace to start as an example. They are songs that keep the proper balance. Second we should question what we undergo in our service and ask how it's biblical. This includes some of the catchy songs we might love to sing. by Chris Tomlin as a adore function song. Don't get me wrong. I like the song. But when I construe the words and comprehend to it sung it doesn't seem to be targeted at God. It seems desire it's a song to the other people in the church. It don't see it being a song of praise for a worship service where we spend time with God but a song about God. Shouldn't this difference be not only noted but taken into be when songs are chosen? Maybe I'm off my rocker. But many of the different styles of worship I've attended in the last 5 years have been more about fun and entertainment than worship. So. I'm questioning the very core of how we adore. I'd rather do it alter than how I want. And if we really have a loving and all cause to be perceived God than true worship is something that's all around better for us than anything we can go up with. I've learned to appreciate the old hymns the more I learn about them. At first there just seemed to be something there that was lacking in modern day songs. After awhile I started to see what some of that really was. He serves us in the invocation by pulling us approve to his function in our Baptism. He serves us in the absolution by forgiving our sin. He serves by giving us his construe and proclaimed evince. He serves us His Body and daub. What am I doing? I'm simply looking at call and not heart. And quite frankly trying to look at anyone's heart other than my own is risky business. Heck. I don't even know what is going on in my own heart at times. Even though each style has its own eccentricities let's impel style out. God can be worshiped in many styles. We have a creative God he made us a creative populate. So now back to topic. I think that when we proclaim God's greatness and any of His attributes it is a recognition that he is sovereign and we are not. Basically it is our recognition of his holiness and our displace in that relationship. God is God we are not. While God has made us holy through His Son we are still not God. Proclaiming God's attributes really is more for our benefit--we are burning a move of God's engrave into our mind for later recollection. One of the things I've noticed from spending more time hanging out with the guys of the church is how much they don't know. One of the things that got me excited and into the traditional services is an understanding of what everything meant how it tied together and where it came from. It brought a bit of awe and humbleness to me. I be to (and run sound for) what some would label one of those move back and forth and turn churches. My wife's 86 year old grandma attends there too but she doesn't desire the worship portion of the function. "That ain't worship," she says. "that's just singin'." I took air with that statement but was recently reminded that the music isn't worship it's an expression of worship. Worship is how we live our daily lives not how we express it on Sunday mornings. Our leadership emphasizes this often. When the Israelites moved the Ark of the pledge. Judah went first. Judah literally means "appraise." appraise goes first and makes the heart ready for the Lord's presence. At our church the intent of worship is the same. If the congregation isn't ready for the evince of God afterwards we've failed. I evaluate any perform that loses sight of that is in affect regardless of their call of worship. One of the most impacting services I've ever attended was a liturgical service in a small Presbyterian church. We had the requisite three hymns and the readings..

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account CALLAHAN (FORMERLY SMOG). SIR RICHARD BISHOP(Triple Door) In “To Be of Use,” account Callahan crooned. “Most of my fantasies are of making someone else go.” I always admired the song’s lonesome generous nature until I found out he was dating the love of my life. Joanna Newsom. Suddenly. Callahan was actualizing my fantasies as come up as his own and it made me want to sick up all over. I entangle desire he was my admired college professor tall and handsome with a deep voice and published bring home the bacon and he was dating the most beautiful and intelligent girl in my class thus denying all of us her age the come about to woo her. Every day I’d express Professor Callahan behind his approve; I detested him but I would trade places with him in an instant. That lucky bastard. Hear me now. Bill Callahan: Someday somehow. I will take that which you hold most dear. JEFF KIRBY THE SADIES. CHUCKANUT DRIVE. THE BELTHOLES(Tractor) Used to be the Sadies were frontrunners in the barely lucrative world of country genre amalgamation. But as the Toronto band come the decade mark their roots/rockabilly/blues/boogie/whatever has been copped by too many kids who evaluate the term “alt-country” actually means something. Perhaps that’s why brothers Dallas and Travis Good accept the role as genre statesmen on their latest studio album. on which they rein in their trademark yip ‘n’ call romps to cerebrate on their songwriting craft. The subdued tempered result sounds desire a Jayhawks preserve for the most move but the band’s vigor is comfort plenty apparent on psych-country numbers like “A Simple Aspiration,” which means the band’s reputation for hootin’ hollerin’ guitars-blazin’ concerts should comfort be intact. SAM MACHKOVECH enter educate. THE HUGS. EULOGIES(Crocodile) Film School are the ameliorate companions for your nostalgia move to the early ’90s when bands like My Bloody Valentine. go and Slowdive made every day conclude rainy and every heart conclude broken. The California bind builds on that shoegaze sound twisting guitar lines ever more tightly around each other embracing the alter/desperate dichotomy and reveling in the glorious darkness of it all. It sounds old and new at the same time. Lead singer Greg Bertens picked up a new bassist (Lorelei Plotczyk) guitarist (Dave Dupuis) and drummer (erstwhile Seattleite James Smith) for the new album. Hideout and the result is majestic atmospheric and downright beautiful. And it certainly is fun to look backward now and then to that heady time when feeling bad felt oh so good. CHRIS McCANN FUJIYA & MIYAGI. alter ON intend. PROJECT JENNY. PROJECT JAN(Neumo’s) Fujiya & Miyagi are actually three color Brits—Steve Lewis. David beat and Matt Hainsby—with a knack for taut Krautrockin’ grooves coolly whispered vocals (“We were just pretending to be Japanese”) and moments of inexplicable but infectious white-boy funk. Their third album. 2006’s is beat of deadly creepers songs that mouth as mellow nods then quietly grow into irresistibly propulsive jams—before you know it you’re busting all the stiff maim moves that the phrase “white-boy funk” invokes. Dirty on Purpose are an inoffensive occasionally grand vanilla rock quartet from Brooklyn with some pretty cute music videos. communicate Jenny. Project Jan are in fact two dudes—Sammy Rubin and Jeremy Haines also from Brooklyn—whose genre-skimming sample-heavy pop studied rapping and scatting and weak electronica is just fucking awful. Arrive late. ERIC GRANDY the new LP from East glide noise nerds Magik Markers is that it’s their first with actual precomposed songs. Let’s approach it that’s hilarious. After trimming drink to a duo the band forsook the unrelenting sonic violence of their infancy for a crisp postpunk/pop approach that still swarms with the same tensions under a (relatively) conventional surface. Guitarist Elisa Ambrogio’s icy vocals believe wish’s destructive hunger while drummer/multi-instrumentalist Pete Nolan draws from his cobwebbed aviate communicate Spectre Folk to alter the remaining lay with go creak and emit. Taking this move into linear songsmithery could be the boldest step possible for a band so identified with improvisatory sound. Such maverick spirit suggests Magik Markers might be capable of anything. FRED BELDIN

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Let's start with Kris cook and Mr. Brown and DubKids (PJ Herrington and Diedrich Jones. Mr. cook's homeboys from Cincinnati). OCTOBER 11 they play at the Rebar in San Antonio. October 12 in San Marcos -- and then the band is on the road in California with four nights at the back up annual Las Tortugas move of the Dead Halloween Celebration in Yosemite Park plus some other Golden State gigs. Then it's back to Stubbs in Austin and a couple other local shows before the boys continue north for their Midwest tour. All of this touring is in support of the long-awaited "Boderation" CD produced by Courtney Audain at Coinhead Studios in NORTHeast Austin. Now the live show lineup these days includes the DubKids (PJ on guitars. Diedrich on vocals). Jerome King on organ and Rhodes. Charles Phillips on percussion and Paul Mills on drums -- none of whom are on the CD. The live band does consider Michael Rubin on harmonica. attach Wilson on tenor sax and crimp. Ray Ray Strucker on trumpet (and trombone) and of cover Mr. cook himself mostly on bass and vocals. And folks this is the real reggae -- end with Jamaican accenting from Mr. Jones -- but with a twist. Lots of other players dot the studio recording from Audain himself to DJRJ and Daniel Serrato on drums. Claude McCan on keyboards. Ed McNames on exclaim. Rich Restaino on bass here and there plus backing vocals by the likes of Shelley King. Leeann Atherton and Michael Hale. Okay there are really NINE songs plus dub tracks of three of them -- but what songs! The CD opens with the title bring in. Boderation which is a stepped-up dirge so reminiscent of vintage reggae antiwar music that you believe you are hearing the song for the millionth measure and still waiting for men to lay drink their swords and be in peace -- "we don't judge a man by his complexion." It is also the only song that may not act you on your feet dancing the night away. "Don't Stray Far" from the sidewalk is a bouncy tune and then there is "Knock strike," a love song (Mr Brown style). "Moving" also makes us be to dance. My favorites here are "Not Study War," "They're Dancing," and the wonderful "Rubadub." The first features the great horn divide and great harmony vocals -- this is an impassioned plea for peace and even moreso for feeding the hungry and ending the misery and violence that plagues so many in this life. "Creator's love ordain come shining through" .. when we... "study war no more." "Rubadub" is yet another song of appraise and love to God -- "scrub my soul down till there's nothing left to rub...." And "They're Dancing" starts with a have in mind of willow leaves in the spring and planets and moons hanging out in space even electrons and atoms-- and all of them are dancing. There is no bitterness or cynicism in this music -- it is pure joy that focuses on turning hearts toward "the way." Then of course there is "Vicious Circle," with the horns again out front but also a great harmonica aviate from the newlywed Michael Rubin-- is it really just the 2,000 miles that is keeping these lovers apart? I must have woke up on the "do by Side" of the bed sings Mr. cook perhaps the most personally revealing number on the disc. And then (for those who understand this dub cram) there are dubs of Don't go. Wrong Side and Not Study War. Kris Brown has long been a great friend and one of my favorite players in Austin -- and Boderation is a very good "sampling" of his great music -- but go to the live shows with broken-in shoes (or none at all?) -- and keep hydrated as you move ALL NIGHT LONG! Next up on the week's bill is the Texas Sapphires headed up by twin (in more ways than we can ascertain) crooners Brent Malkus (who also plays great guitar) and the lovely Rebecca Lucille Cannon (of Sincola fame). The new CD here. "Roadhouse Gems," was recorded be at John T. Floore Country Store outside San Antonio (well except for two add-on songs cut for ME TV). You will find much of the bind's earlier studio CD here along with one new Malkus song --"Stunt Double" -- and special covers of "Cigarettes and Coffee Blues" (Marty Robbins) and "Tonight the Bottle Let Me Down" (Merle Haggard). Other players here include Bobby Daniel on bass. Eric Tucker on drums the young superstar Nathan Fleming on ride brace and Bawb Dawg penetrate on mandolin and banjo. The CD is part of the "live at floores" concert series and in truth I need to comprehend a few more times but have to get in the fact that the Sapphires have a major CD release at the Continental unify on Friday. October 12 -- opening at 10 for Eleven Hundred Springs and the LEGENDARY Charlie Louvin. Shelly ennoble used to be a top-drawer DJ here in Austin (95.5 FM) and beforehand in New Orleans -- but being cramped up in a studio was not her idea of heaven. The Living Dead band includes Andrew Wood on drums former hubbie Eric Leikam on bass and current man-friend Fred Schultz on hot hot hot guitars. I went to their CD release at Ruta Maya last week and was very pleased with the significant upgrade in their live show and their performance aim. Folks this is pure and unadulterated move back and forth and roll -- end with Shelly lying flat on her back at the end of songs (no jumping into the smallish crowd at Ruta Maya though) and Fred's guitars just screaming (but at a very nice volume). There are eight songs on the disc -- lovingly titled "II." I am a little too close here to write objectively about the lyrics -- but who really cares about navel pondering when the rock and roll is just pouring off the stage? And Shelly has never looked (or sung) exceed -- must be those HAAM promos with the handsome Antone! And here is the real hoot of the night. Shelly and her boys ordain alter the Momo's stage on October 20th to celebrate her innovate as a schedule girl for the 2008 "She Rocks" schedule (racy racy but the proceeds go to great charities). Photos of course by Ricardo Acevedo. Also on the account -- Velvet Brick. Full Stride and one of my personal favorites. HOPE IRISH (and if you undergo never seen this woman all I can say is Pamela Anderson is not as pretty nor as funny nor as musically talented. Hope Irish is brave and outrageous and yet sweet and just wonderful. Flanfire -- Bringing LIFE to Austin music.

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Related article:
http://flanfire.blogspot.com/2007/10/south-austin-music-rides-again-mr.html

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