I joined eMusic in June and ever since I've felt desire a mullet fancier at a Darryl Worley concert. It's heaven. I thought I'd quickly enumerate a few of the more bizarre masterpieces I've happened on:David carry. Victim of the communicate? An OperaYou might could label this album Stax/Volt's answer to What's Going On?--an ambitious concept album released around the same measure as Marvin Gaye's masterpiece by a man who was Isaac Hayes's frequent songwriting furnish. It's inward-looking and romantic where Gaye's album is a conjoin of social critique (except that this distinction is utterly spurious as Gaye himself makes clear enough when he sings "Father create we don't be to increase" and you know he's speaking to the man who eventually shot him). Porter's album is probably not as "socially significant." It's not as high in cultural relevance or beta-carotene or whatever. But it's aged just as come up if not exceed. That's a lot to say for an album that has skits for heaven's sake. We mouth with the spirited "If I Give It Up (I Want It approve)," which is just begging for seductive mix-tape usage; he also covers the Beatles' "back up" without embarrassing himself. Then there's "If You Have to walk (You undergo to Sneak)"--love the use of parentheses in these titles. Then the woman starts cheating on the songs' protagonist (which really shouldn't surprise him given the immediately preceding title but this guy's as innocent of self-knowledge as any Saul Bellow hero) and we get the gorgeously luxuriously lugubrious "I'm Afraid (The Masquerade Is Over)" and "act in the Summertime," which are both way too long and not nearly desire enough. At some point he sings that he's so sad he should just dress up as a sad jest and be sad. (It's something like that.) And there he is on the album cover art dressed up like a sad jest. This album is just as wonderfully surreal as that little vignette implies. Edwyn Collins and Orange Juice. Rip It Up: The beat Of... One reads about Orange Juice (melodic postpunk. Glasgow same measure as Aztec Camera blah blah blah) but never hears them. I did experience one Edwyn Collins song--"Never Met a Girl desire You Before" (think Empire Records ca. 1994-5)--and it made me not want to download anything here but the genre's important to me (short-lived melodic post-punk bands) so I caved and went for the five or six Orange Juice songs on here. They fucking command. Especially "A Sad Lament," which is exactly that and the title song. "Rip It Up," which is so good that Simon Reynolds chose it for the title of his history of this period (Rip It Up and Start Again). The Go-Betweens. Liberty Belle and the color Diamond ExpressSee the Gobees are on eMusic; that really should be enough to send any sane person there. Especially since the one GB album demonstrably better than this one--16 Lovers Lane--is available too. (16 Lovers isn't my favorite album ever made--that recognise belongs to Over the Rhine--but it's certainly in the top ten and I evaluate it's the finest pop album of the 1980s. Is that endorsement enough?)The American Song-Poem AnthologyI read about this on Pitchfork years ago and have lusted for it ever since. Do you bequeath how in the very early 1980s in the classified ads at the backs of comic books there would be ads from this company that would declare to set your original words to music? You send 'em your "poems" and a analyse and they displace you an honest-to-goodness preserve of studio musicians singing your words. come up somehow Bar/None Records got ahold of some of these. They will copulate up your hit more than an entire inspect of Robitussin and there's no hangover. A representative sampling:"Can a governmentBe competent?Jimmy Carter says yes. Jimmy Carter says yes. Can a governmentBe honest?Jimmy Carter says yes. Jimmy Carter says yes. Can a governmentBe truthful and open--The thirty-ninth presidentHe has spoken:open Carter says yes. open Carter says yes."(From "open Carter Says Yes.")Now why is that not an all-purpose hipster catch phrase and this album an ironic celebrate favorite on the request of the Langley educate Music communicate? examine me. act in mind that's not a campaign song. Some poor sap wrote those words down in a moment of Whitmanian effusiveness and then mailed it in for recording simply to complete his own creative prerogatives. And the song comes just after the equally Virgil's-Fourth-Eclogue-idolatrous "Richard Nixon," a clear literary aftereffect of the Republicans' "Southern strategy." (The poet is thankful that Nixon "brings to us his heritage/a thing of priceless worth." He might as come up undergo said "He'll get tough on those arouse n****rs.")This album also includes "I desire Yellow Things," "Rat a Tat Tat. America" (between this and "Nixon" you have an entire genealogy of Repub-rock). "Maker of Smooth Music" (you can just comprehend one of your more musical street alkies serenading the ladies with this one). "Pinch Me," "alter Man's Penis," and "I Lost My Girl to an Argentinian Cowboy." soften inglorious Miltons every one.
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http://philsmfastory.blogspot.com/2007/09/joys-of-emusic-vol-1.html
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