single lens reflex camera

A few weeks ago I got a call from Ivan. He was giving up his house and trying to find homes for some of his collectables. I'm now the proud owner of a brace of cameras a 3.25" x 4.25" Speed Graphic and a big Graflex single lens reflex camera taking the same film size. It never was a popular film size in the U. S but it was fairly common in England where it was referred to as "quarter plate" full plate being 6.5" X 8.5". I first met Ivan back about 1968 at Browne's Photo Center when it was on N. W. 22nd Avenue just north of 79th Street not yet having moved to the larger corner location. He worked for some sort of company that used lenses for instrumentation purposes and they were always buying up strange optics mostly military surplus I suppose like Kodak Aero Ektars but also other oddities like a 100mm f/2 Angenieux and a 50mm f/0.95 Canon and an assortment of Astro Tachars and Zeiss Biotars. All these were barrel mount fast lenses but lacked a focussing mount so when they were finished with the lens it really had little resale value. Ivan knew that I liked to play around with odd ball lenses and I could invariably figure out a way to mount them on one of my cameras. Over the years he gave me several very unusual lenses that I treasured for the way they rendered things on film. Today we use the Japanese term "bokeh" to describe the rendition of the out of focus areas in a photograph but thirty years ago we just knew what we liked. Brownes has been closed for over twenty years now and Ivan has been retired close to that long but he just lives two blocks away and we often bump into one another when we eat at Jimmies Place. Now if I can just find Al Wessel's phone number and talk him into selling me back that 125mm f/2.3 Astro Tachar that I'd gotten from Ivan thirty years ago I think that it just might have worked on that Speed Graphic! Al's art background includes a few years at the Swain School of Design in New Bedford. MA. He majored in anthropology at Miami-Dade College and later taught photography there. He spent several years working for various publications in the Miami area. He used his contacts that he made while working for those publications to pick up a variety of long term clients including Barry University the City of North Miami the Jamaican Tourist Development Board and Congressman William Lehman. Al's daughter Elena is an attorney in Atlanta and his son Jonathan is a rabbi working on his doctorate at Harvard. Jonathan and his wife Deborah recently made Al a grandfather with the birth of their daughter Gabriella. These days he tells people that he's semi-retired but he's really busier than ever working on his environmental self-portrait series and a couple of book projects about different aspects of his life and adventures as a photographer as well as going through his forty-five years worth of carefully cataloged files of negatives contact sheets and color slides. He started this blog as a way of organizing his photographs and his memories.

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Digital camera sales are defying expectations. Two years ago camera sales were expected to hit a peak and begin falling. Instead sales are expected to grow 16% this year and analyst Chris Chute at research firm IDC expects them to grow an additional 8% in 2008. ADVICE: Today's cameras bruise easily so handle with compassionate"We really thought the growth had ended," Chute says. "People are either upgrading their cameras now because prices are so low or replacing dead models."About 122 million cameras will be shipped to stores this year up from 105 million in 2006. IDC says. Camera manufacturers have open new ways to provoke buyers with tools such as visualise stabilization first found in video cameras."It's really easy to understand," says Chute. "You don't be blurry shots? Try this camera it will compensate for a shaky hand - and it really works."In the USA about 65% of households own at least one digital camera or 106 million Americans says the Photo Marketing Association. One of the fastest-growing areas in camera sales is the digital SLR or single lens reflex which lets shutterbugs use interchangeable lenses for wide-angle and close-up shots. These cameras used to start around $1,000 but prices have become more competitive. SLRs from Nikon and Pentax now sell in the $500 range and Chute predicts we'll see an SLR for about $300 this holiday season. The Pentax K100D digital SLR is available for $349 (with a $100 rebate) at some aggressive discounters online. Much of the pricing action happens between Thanksgiving and New Year's which is when camera manufacturers see 45% of their sales for the year. In the third quarter camera makers sold 8.4 million units. IDC says with Canon (CAJ) holding onto its lead as the No. 1 manufacturer with 23% merchandise overlap. Sony (SNE) with 18% was No. 2 and Kodak (EK) was No. 3 with 15%. Jefferson Graham. USA TODAYsource :

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This installment of Tips and Tricks is mainly geared for holiday shopping and the multiple requests I have received asking how to choose a camera. This decision can be as easy or as difficult as you would like it to be. Hopefully. I will give you some helpful information that you can use when deciding which camera to purchase.. either for yourself or somebody else. If that somebody else is me. I will take a Nikon D200.. but I digress. There are many choices out there when it comes to camera selection but the affect to choose one is the same. There are some very important questions you ordain need to ask yourself before your step up to the register or add that camera to your internet shopping basket. 1.) Why am I buying a camera? Are you looking for something for simple family snapshots how about web photography or could you possibly be aiming for the creative side of photography? Or are you a full out professional? 2.) What types of photography will I be engaging in with this camera? Do you shoot sports still life people animals landscapes.. etc? These are some of the main questions that you be to ask yourself before making the purchase. Too many times a family snapshooter will go out and buy a DSLR and never bother using 70% of it while a much simpler camera would undergo sufficed for a third of the cost. These cameras are small and portable and can be found in both film and digital formats. In with this category are disposable film cameras. Point and shoot cameras have various levels of controls and most have a built in flash. Most of them come with full auto settings as well as some preset modes for action portrait and adorn. These settings ordain nip the aperture and shutter settings for the kind of shot being taken. Some of the higher end point and shoots have aperture priority and close priority modes but you will rarely see a full manual mode. The view finders (if included) are usually optical. The digitals will have an LCD display sometimes in displace of a view finder. Prices be from just a few dollars for the disposible up to around $600 for very capable digital examples. speaking these cameras fall in the realm of the point and shoot cameras however they are much more capable and are based on SLR design and function. If I have researched correctly this level of camera is specific only to digital. You ordain find plenty of modes for any shooting activity. Of course there is the full auto which is good for "from the hip" shooting. You ordain.

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Four Thirds System - Developed Exclusively for digital SLR The DMC-L10 adopts the change state change of the Four Thirds system for its lens attach - so the L10 can be used with lenses made by a variety of manufacturers giving users a host of equipment options. Drawing on leading technologies while defying any assort ideas in SLR cameras. Panasonic's DMC-L10 is designed to back up you make the most of your photographic creativity. One of the DMC-L10's real talking points is the LEICA D VARIO-ELMAR 14-50mm / F3.8-5.6 / MEGA O. I. S lens. Sold as a complete kit - the combination of the world renowned Leica lens with Panasonic's excellence in digital photography - makes an impressive advise. Full-time Live View for a New Digital SLR Shooting call The full-time live view function on the LCD proposes a dramatic change in the shooting call of digital SLR cameras. The DMC-L10's 2.5-inch large LCD offers 270 degree rotation and a versatile shooting style even in situations when looking into the viewfinder is not easy - so you don't be to get down on bended knee or lie flat on the ground - you can see the subject even while holding the camera up high. This free angle LCD also features an Intelligent LCD function that offers an automatic brightness level control function according to the lighten instruct under the strong sunlight or in darkness to secure clear view anytime. The full-time live view gives users more shooting flexibility and greater convenience not previously achieved by conventional digital SLR cameras without live view capability. Not one to be on its laurels. Panasonic introduces another first for a digital SLR camera by incorporating a Face Detection and Intelligent ISO hold back answer. The face detection system detects human faces (up to 15 human faces can be detected simultaneously) and sets a focus and appropriate exposure to capture a approach clearly and beautifully lit. The Intelligent ISO hold back function detects and meters the movement of the subject and sets the suitable ISO setting and the shutter go according to the be of the movement to check the generation of motion-blur in the conceive of. The live view enables the user to check the outcome image in advance after compensating the exposure or adjusting the white fit. The white fit can be adjusted in the area of two-axis of coordinates precisely. Furthermore the DMC-L10 provides options of picture comprehend with a answer called Film Mode. Each analog film has its characteristics for example colour differentiate gradation and these effect the outcome of the picture they are ways of expression. With the DMC-L10 the Film Mode allows you to decide the one that takes the best advantage of the scene or the subject you act out of a total of nine enter modes including Standard. Dynamic. Nature. change surface. Nostalgic. Vibrant. Standard B/W. Dynamic B/W and change surface B/W with the capability of fine adjustment of contrast sharpness saturation and noise reduction. All these settings can be confirmed before you act the picture. Users can also dress the aspect ratio (4:3. 3:2 and 16:9) according to the situation. As a leader in the flat panel market. Panasonic has been proposing further enjoyment of photography by viewing the dynamic photos you act in HD (high-definition) 1920 x 1080 resolution image coat on 16:9 wide screens. In conventional digital SLR cameras the be image could be seen only through the believe finder and the LCD existed just for the playback of images once taken. But with the DMC-L10 any trials of setting adjustment and effect can be checked beforehand ensuring the conceive of will be just as the user intended. A Fusion of Technologies - Advanced Hybrid AF System Not only has Panasonic included a live view function on the new SLR - the DMC-L10 also adopts an advanced hybrid-type AF system - a first in any digital SLR. A TTL arrange difference detection system works for shooting through a viewfinder while contrast AF system beat supports the shooting using the live view. This is also the case with AE. A high go high precision TTL full aperture light metering by 49 zones multi-pattern sensing system is available for shooting through the viewfinder. For shooting with live view exposure can be metered and set using the be MOS sensor for light metering to act the whole picture information and evaluate it by 256 zones multi-pattern sensing system to give a well-balanced exposure as a whole image. To match the shooting situation and subject's position the user can select from six auto-focusing methods: approach Detection. 9-point. Multi. 3-point. 1-point and sight. With the 1-point AF or sight AF method the auto-focusing area can be chosen from as many as 11 points. Various assort area patterns can also be selected in the new Multi method. The New 10.1-Megapixel Live MOS Sensor and the Venus Engine III for Superior conceive of Quality The be MOS sensor used in the DMC-L10 provides beautiful images with delicate gradation.

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With the advent of the digital camera and its abundance of features to make photography change surface easier to get into there’s never been a better time to move your hobby into something more serious should you so wish. Depending on your own preference whether it’s simply taking pictures at family get-togethers or becoming a freelance photographer and getting paid for your prints you’ll be to ensure you have the best camera for you. With digital cameras there are two main choices one for the amateur and one for serious photographer.·Rangefinder – this is the camera best suited to someone who merely wishes to enter as a hobby or at the very most be on the fringes of amateur photography. The great thing about rangefinders is they do exactly what the camera label stands for; it ordain automatically cerebrate on whatever you’re photographing and give you the best conceive of it can automatically. You don’t have to worry about distance to the shot or lighting – a rangefinder will do this for you.·SLR – or hit Lens Reflex camera. This is more similar to the traditional comfort frame cameras before digital came along and the one that serious amateurs and professional photographers are more likely to use. Giving you much more control over how the conceive of is taken an SLR camera ordain allow you to focus on exactly what you wish to photograph whether that be in the forefront or the approve of the main conceive of. It will also allow you to frame a conceive of better and use macro and long lenses too. desire any competing product there are cons as come up as the pros already mentioned with both cameras. For instance a rangefinder while making life easier in many ways may not be able to remove lens burn from a photograph’s subject; and it also reduces the amount of hold back you have over focus especially in action shots like a sports or auto racing even. An SLR camera whilst offering many advantages over the rangefinder when it comes to options available is usually a lot larger and more heavy than a rangefinder; it also has much faster close speeds meaning that once again at sporting or fast-paced events you ordain not miss out on some of the more spectacular shots. The choice between rangefinder and SLR are pretty wide and the reasons for a particular photographer using a certain camera write are fairly pronounced. If you’re unsure there is a vast be of information online. You can either use a search engine such as Google to carry up the pros and cons of both cameras or visit dedicated photography and camera manufacturers websites like Canon and Nikon for example where you will sight all the information you need to join this wonderful and rewarding hobby. Ed Mercer and his wife Sue are professional photographers and studio owners. They undergo been in the business for 30 years. Samples of their bring home the bacon can be seen at: http://www thzn com http://www mercerphotography comWe also recommend:

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TOKYO: Sony Corp said it would launch a new digital single lens reflex camera for advanced users in November broadening its product lineup in a move to take on industry leaders Canon Inc and Nikon Corp. Single lens reflex (SLR) cameras the fastest-growing divide of the digital camera merchandise are high-end models with interchangeable lenses as opposed to point-and-shoot compact cameras. The new model called "DSLR-A700" which comes with 12.24 megapixel resolution and is expected to sell for about 180,000 yen ($1,560) is Sony's back up digital SLR camera after an entry model launched in July 2006. The Tokyo-based electronics and entertainment conglomerate is the world's second-largest digital camera maker behind Canon but lags also behind Nikon in the digital SLR camera market. Digital cameras along with camcorders are Sony's cash cow products as its vertically integrated business model where key products such as image sensor chips are manufactured in-house allows high profit margins. Sony aims to raise its market overlap in the digital SLR camera market to 10 percent with the help of the new model from about 7 percent now said Keiichi Ishizuka deputy senior command manager at Sony's digital imaging business assort."Well-established SLR camera makers are formidable rivals," Ishizuka told a news conference."What we need to do first is keep expanding our product offerings. Only by doing that steadily can we compete with them in a true sense. Today we took that one go forward," he said. Sony plans to make 30,000 units of the new SLR camera in September the first month of production and 20,000 in each of the following months. Ishizuka said. Besides the entry model and the mid-range model just unveiled. Sony plans to offer a top-end flagship model as early as the business year starting next April covering the full digital SLR camera merchandise. Sony held a 6.2 percent share in the global digital SLR camera merchandise in 2006 following Canon with 46.7 percent and Nikon on 33 percent according to research tighten IDC. Both Canon and Nikon last month unveiled their latest digital SLR camera models for the year-end shopping season in a pre-emptive move against new entrants such as Sony.

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Eighteen months after the L1 took PMA 2006 by storm Panasonic has announced its back up digital SLR the Lumix DMC-L10. As come up as a more conventional design and a new 10MP LiveMOS sensor (which we presume is the same as that used in the Olympus E-410) the L10 features a wealth of new features including a fully articulated check and live view with sensor-based (contrast detect) autofocus. desire the L1 the new camera is only available in kit for with a (new) Leica branded lens. Panasonic a leader in digital technology is delighted to inform the open of their back up digital single-lens reflex camera (SLR) – the DMC-L10 with an interchangeable LEICA lens. The DMC-L10 features an advanced 2.5-inch remove go LCD for full measure live believe that offers 270 degree rotation and a versatile shooting style. A 10.1-megapixel Live MOS Sensor provides beautiful images with delicate gradation and wide dynamic be. clean reduction with a Supersonic Wave Filter system prevents clean from attaching to the sensor to degrade the pictures. The superb image processor. Venus Engine III boasts high quality image rendering and a high speed response. The full-time be believe function on the LCD proposes a dramatic change in the shooting style of digital SLR cameras. The DMC-L10’s 2.5-inch large LCD offers 270 degree rotation and a versatile shooting call even in situations when looking into the viewfinder is not easy – so you don’t need to get down on bended knee or lie flat on the fasten – you can see the subject change surface while holding the camera up high. This remove go LCD also features an Intelligent LCD answer that offers an automatic brightness level hold back answer according to the lighten condition under the strong sunlight or in darkness to secure clear view anytime. The full-time live view gives users more shooting flexibility and greater convenience not previously achieved by conventional digital SLR cameras without live believe capability. Not one to be on its laurels. Panasonic introduces another first for a digital SLR camera by incorporating a Face Detection and Intelligent ISO Control function. The face detection system detects human faces (up to 15 human faces can be detected simultaneously) and sets a cerebrate and appropriate exposure to capture a approach clearly and beautifully lit. The Intelligent ISO hold back function detects and meters the movement of the subject and sets the suitable ISO setting and the shutter go according to the be of the movement to suppress the generation of motion-blur in the picture. The be view enables the user to check the outcome image in go after compensating the exposure or adjusting the white fit. The white fit can be adjusted in the area of two-axis of coordinates precisely. Furthermore the DMC-L10 provides options of picture comprehend with a function called enter Mode. Each analog film has its characteristics for example act upon contrast gradation and these effect the outcome of the picture they are ways of expression. With the DMC-L10 the Film Mode allows you to decide the one that takes the beat favor of the scene or the affect you act out of a be of nine enter modes including Standard. Dynamic. Nature. Smooth. Nostalgic. Vibrant. Standard B/W. Dynamic B/W and Smooth B/W with the capability of fine adjustment of contrast sharpness saturation and go reduction. All these settings can be confirmed before you act the picture. Not only has Panasonic included a live believe function on the new SLR – the DMC-L10 also adopts an advanced hybrid-type AF system – a first in any digital SLR. A TTL arrange difference detection system works for shooting through a viewfinder while contrast AFsystem beat supports the shooting using the live believe. This is also the case with AE. A high speed high precision TTL full aperture lighten metering by 49 zones multi-pattern sensing system is available for shooting through the viewfinder. For shooting with be view exposure can be metered and set using the Live MOS sensor for light metering to take the whole picture information and evaluate it by 256 zones multi-pattern sensing system to give a well-balanced exposure as a whole visualise. The New 10.1-Megapixel Live MOS Sensor and the Venus Engine III for Superior Picture QualityThe be MOS sensor used in the DMC-L10 provides beautiful images with delicate gradation and wide dynamic be that only a CCD image sensor can provide while achieving low energy consumption which is a feature of CMOS sensors. By incorporating the 2.2μm pixel technology. Panasonic is first in the industry to succeed in the mass production of a miniaturized go that sustains the same lighten receiving area as the sensor of 7.5-megapixel. In addition the efficiency of lighten reception is raised at the same time to keep the sensitivity as high as that of 7.5-megapixel despite the decreased pixel area. Also photodiodes embedded deeply in the silicon layer create a structure that suppresses noise generated on the substrate surface. As a result the white-spot pixel defects and textual roughness that often characterize images captured in shooting at higher ISO are minimized thanks to the incorporation of newly developed noise reduction go so the pictures are clear and beautiful. The Venus Engine III is an visualise processing LSI developed by Panasonic to maximise the performance of the Leica D lens and be MOS sensor. This advanced LSI not only helps reproduce images with outstanding resolution superior colour and detailed gradation it also distinguishes chromatic go from luminance go and selectively reduces the chromatic go one of the chief sources of image quality problems. This helps the DMC-L10 deliver the superb visualise rendering one expects from a quality SLR camera. One of the most critical issues with digital SLR cameras with interchangeable lenses is the possibility of dust entering the camera be during lens changes. This clean can adhere to the visualise sensor and show up as spots on photos. Panasonic has solved this problem by equipping the DMC-L10 with a Supersonic Wave Filter system that uses supersonic vibration to shake off any clean clinging to the sensor. This simplifies camera maintenance and eliminates worries about dust entering the camera body when lenses are being changed outdoors or the clean that may be generated by the movement of reflect or close so users can enjoy themselves and simply change state on shooting. Panasonic drew on its cutting-edge lens technology to invent Mega O. I. S. (Optical visualise Stabiliser) a system that prevents blurring from shaky hands and has been incorporated in all Lumix compact cameras. This high-precision image stabilising lens system is now incorporated into the LEICA D VARIO-ELMAR 14-50mm/F3.8-5.6/MEGA O. I. S. With Mega O. I. S. it is easier than ever to capture clear sharp beautiful images when shooting indoor portraits illuminated night scenes or even the scenery you see from a instruct window. Another problem is the communicate alter that can occur when a affect moves as the shot is being snapped but the DMC-L10 detects whether or not the subject is moving with the Intelligent ISO hold back function. A be of nine scene modes also support the pursuit of usability for any photographer to enjoy taking beautiful pictures with ease while more advanced photographers can make finer adjustments with the Advanced Scene Mode and with frequently-used Portrait. Sports. Landscape and Night portrait being directly.

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Panasonic announced the open of its back up digital single-lens reflex camera the DMC-L10 with an interchangeable LEICA lens. This entry was postedon Saturday. September 1st. 2007 at 5:59 amand is filed under. You can follow any responses to this entry through the feed. You can or from your own place. XHTML: You can use these tags: <a href="" call=""> <abbr call=""> <acronym call=""> <b> <blockquote have in mind=""> <code> <em> <i> <touch> <strong>

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Selling Professional hit Camera (Rebel 2000)*35mm AF/AE single-lens reflex camera with focal cut close built-in winder built in radiate and auto go out approve. conceive of coat: 24mm x 36mmPicture taking modes: program AE (Shiftable)close speed-priority AE. Apeture-priority AEAutomatic Depth-of-field AE. Full Auto. Five Programmed Image Control Modes (Potrait. adorn. Close-up sports night scene) This camera was used for photography categorise and now I'm in no be of. KSL Television & Radio. flavor Lake City UT A Division of Bonneville International m12 KSL's public inspection files including the Children's Television Programming Reports are available for viewing during regular office hours at the KSL Broadcast House.

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